Synchrotron-based XRF mapping helps elucidate Picasso’s Blue Period techniques
This was the year his “Blue Period” began, and remains a time of great interest to art historians and enthusiasts alike. Technical analysis of paintings made during this period are one approach to finding clues into as-yet understood aspects of Picasso’s experience and process. The recent discovery of a buried portrait below one of his first blue period paintings, “The Blue Room,” (The Phillips Collection, 1600 21st St NW, Washington DC) offers an example of two paintings, each by Picasso, that represent snapshots of this transition.